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MARVIS · Rights intelligence
Publishing & PROs
Opening the societies…
Composition · Master · Collection
The song is not the asset.
The right is.
MARVIS watches the music-rights stack in real time: songwriter splits, PRO and CMO policy, mechanicals, neighboring rights, DSP rules, copyright, sync clearance, and AI authorship. Catalog is reserved for your works alone.
Welcome to MARVIS
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Last society pulse
Ninety days of rights news
What moved
SOCAN, ASCAP, BMI, PRS, The MLC, SoundExchange, Spotify, YouTube, and copyright offices — only what can change a registration, a claim, or a payout.
Refresh once. The rights feed rebuilds on a cycle (about every fifteen minutes, never to the second). This page checks for a newer file every minute; the stamp moves when a deploy lands.
Unpaid or unclaimed
Priority watchlist
Catalog hygiene
Artist-rights health
The last registrations
Recent rights intelligence
Every material change that can touch a registration, a claim, or a payout — from official PROs, CMOs, DSPs, copyright offices, and AI-music policy — held for ninety days.
Refresh once. The rights feed rebuilds on a cycle (about every fifteen minutes, never to the second). This page checks for a newer file every minute; the stamp moves when a deploy lands.
Rights do not travel as one passport. Explore major music markets across North America, Europe, Asia-Pacific, Latin America, Africa, and the Middle East — with performance, mechanical, neighboring-rights, and AI-policy watchpoints for each.
The composition: songwriter splits, publisher share, performance, mechanicals, IPI numbers, and who administers each territory. Register the work. Then prove the work.
Spotify, Apple Music, YouTube, TikTok, SoundCloud, and the distributor between you and them. Metadata, fraud, AI disclosure, and monetization each move on their own clock.
Performance is not mechanical. Master is not neighboring. Sync is not Content ID. Map every stream so no society is asked to cover another’s money.
Composition, master, neighboring rights, name, likeness, and the contract that sits on top. Copyright is several files, not one word.
Training, output copyrightability, PRO registration, DSP labeling, voice, likeness. A society that accepts a work is not a DSP that will monetize it.
Master-use and composition are two grants. Cue sheets, stems, splits, and who can say yes in one email — that is clearance, not a playlist pitch.
Distribution, management, producer, publishing. Watch AI training, voice, likeness, and what still collects after the term ends.
Before the street date: splits, ISRC, ISWC, delivery. After: PRO, mechanical, neighboring, Content ID. The release is the recording. The work is the paperwork.
Every work: title, ISRC, ISWC, master owner, publishing owner. Unreleased still needs a split. Released still needs a claim.
Works
Official societies, copyright offices, and DSP policy pages. Commentary is not a registration. The source is.